28 Days Later

It’s hard to know whether London is quieter this weekend, or just feels quieter.

A new chapter for “Extraordinary Popular Delusions and the Madness of Crowds” no doubt.

Interesting to note how quickly a poster information campaign can be everywhere though. The last mass media format.

via Flickr https://flic.kr/p/2iBJqqb

Plant-Based Lifeforms

There’s something quite Hitch-Hiker’s Guide To The Galaxy about the phrase ‘plant-based’ – echoes of the description of humans as ‘carbon-based lifeforms’.

If it persists as a phrase, ‘based’ is a term that might end up doing a *lot* of heavy lifting, in the same way that ‘craft’ does in beer.

via Flickr https://flic.kr/p/2ix52Py

Startup Prontoprint

Kinda interesting – positioning itself as a walk-in creative studio, where you pay by marketing services by the hour. “Marketing for all” they say on the website. Which is also possibly just flipping round the standard printshop model, where if you wanted the poster, they had someone on site who’d design it for you too.

via Flickr https://flic.kr/p/2ivqu6L

Charging Infrastructure

In a new cafe, who’ve installed all of their power points like this… it’s easier to pull out the plug from the table above, I’m guessing.

via Flickr https://flic.kr/p/2it8KBj

A blacksmith makes their own tools

This week, I gave a talk (with a little bit of workshopping) as part of the third module of IPA Excellence Diploma. This was a course I did back in 2007/8, and without doing it, I probably wouldn’t be doing what I do now, and definitely wouldn’t be thinking about things in the way I do.

It’s never a substitute, but people have asked if I’d be sharing the slides, so here you go. Just imagine that when you get to the ones that make no sense, I am in front of you saying something really profound. Ignore that pesky internal voice of yours that questions that how likely that would be, and just go with it…

It was an honour to be invited back by Amelia and Sera from The Fawnbrake Collective, who have taken over and reimagine dates course for the 2020s. Yet it feels like a gift, because being asked to reflect on 12 years of making / thinking and spot patterns in your own process has given me a view of my own work I’d never have seen otherwise. We alway look at the mountains ahead, rather than the hills behind.

The title of course comes from Dan Dennett’s 2013 book, Intuition Pumps and Other Tools For Thinking, and quite clearly I’m still a sucker for anything that extends the blacksmith metaphor…